{"id":2136,"date":"2025-10-27T18:00:00","date_gmt":"2025-10-27T22:00:00","guid":{"rendered":"http:\/\/arouseosu.com\/home\/?p=2136"},"modified":"2025-12-08T13:26:34","modified_gmt":"2025-12-08T18:26:34","slug":"thank-you-geese-for-killing-me","status":"publish","type":"post","link":"http:\/\/arouseosu.com\/home\/index.php\/2025\/10\/27\/thank-you-geese-for-killing-me\/","title":{"rendered":"Thank You Geese For Killing Me"},"content":{"rendered":"\n<p>In 1974, after witnessing a show from one of the greatest rock and roll musicians of all time, Jon Landau wrote, \u201cI saw rock and roll future, and its name is Bruce Springsteen.\u201d Now, I likely will never have as much influence on the music world as Jon Landau, and I have never actually seen Geese live, but I know what the future of rock and roll music looks like, and its name is Geese.&nbsp;<\/p>\n\n\n\n<p>If you\u2019re still unfamiliar with the New York-based quartet that is sweeping the nation this year, let me tap you in. Geese came together in 2016, releasing a few EPs and one album before making their record label debut in 2021 with the album <em>Projector<\/em>. It\u2019s a solid collection of straight-forward indie rock songs with some heavy post punk influences but isn\u2019t something I revisit often.&nbsp;<\/p>\n\n\n\n<p>In 2023, they really found their footing and broke into more popularity with the album <em>3D Country<\/em>. Their sophomore album garnered a lot more attention to the band and was the album that led them to me. While I did enjoy it at first, the more it lingered with me, and the more I thought about it, the more I was truly able to appreciate its genius. It takes elements of punk, country, experimental rock, and indie rock and blends them seamlessly together, with singer Cameron Winter\u2019s dynamic vocals throughout. It stands as one of my all-time favorite albums now.&nbsp;<\/p>\n\n\n\n<p>Then, in December of 2024, Winter released his solo debut album <em>Heavy Metal<\/em>, surprising fans everywhere. This album was very much unlike the traditional Geese sound. Here, Winter took more from artists like Leonard Cohen and Van Morrison and utilized less of that CBGB\u2019s-with-a-country-twang sound that the band seemed to be going for in<em> 3D Country<\/em>. It was an instant classic with critics and fans alike, with him ultimately performing the song \u201cDrinking Age\u201d on the Jimmy Kimmel show in March of this year.&nbsp;<\/p>\n\n\n\n<p>Being blown away by <em>Heavy Metal<\/em> and my growing adoration of <em>3D Country <\/em>gave me Geese fever this year. After hearing all the rumors of a new album dropping in 2025, I was on the edge of my seat to hear what they would do next\u4e00as was the rest of the music world. That excitement only grew with the announcement of album number four: <em>Getting Killed<\/em>. This announcement also came with the release of their first new single, \u201cTaxes,\u201d one of their best yet. It is a song so good that it essentially took over my summer. Geese would drop two more singles during the summer before releasing the full album on September 26.&nbsp;<\/p>\n\n\n\n<p><em>Getting Killed<\/em> opens with \u201cTrinidad.\u201d&nbsp; This song was the album\u2019s second single and is a huge mood setter for<em> Getting Killed<\/em>\u2019s core sound. \u201cThere\u2019s a bomb in my carrrr!\u201d Cameron Winter screams among a backdrop of trumpets, crashing drums, and funky slide guitar. It doesn\u2019t waste time in letting the listener know the core themes of <em>Getting Killed<\/em>. This leads us into the next song, \u201cCobra,\u201d an instant classic. Lead guitarist Emily Green\u2019s sound is amazing on this song, but the drums and bass are what really elevate it to the next level for me. On <em>3D Country<\/em>, it felt like the vocals and guitars were the ones carrying the melody of each song. Here, the melody feels more driven by the rhythm section with super funky, groovy bass and drums. You can really hear Kenny Beats&#8217; production on it, with its heavy emphasis on the percussion. On Beats\u2019 end, \u201cCobra\u201d is a major standout. The chorus is catchy, and the instrumentals are even catchier.&nbsp;<\/p>\n\n\n\n<p>Another key moment from the first half of the album is the title track. It is surprisingly the most energetic song thus far, with what seems to be more of that classic Geese sound. It has a super cool choir sample at its core, and Cameron delivers an electrifying title drop. The whole song has a chaotic, manic energy that sounds right at home with this band.&nbsp;<\/p>\n\n\n\n<p>But <em>Getting Killed<\/em> really reaches its peak with the last four tracks. \u201cAu Pays Du Cocaine\u201d is one of the most mellow sounding songs in their discography, a pretty ballad with simple yet powerful lyrics. \u201cLike a sailor in a big green boat, like a sailor in a big green coat\u2026You can be free and still come home,\u201d Winter sings on this track. I think it\u2019s the deepest song on the album and it would have felt right at home on <em>Heavy Metal<\/em>. I still can\u2019t entirely figure out what it\u2019s about (is it drug addiction? A failed relationship?) but his delivery makes it super heavy hitting.&nbsp;<\/p>\n\n\n\n<p>Then we get to \u201cBow Down,\u201d another super energetic song with insane drumming from Max Bassin. It also features more lyrical allusions to sailors, with Cameron exclaiming that \u201cI was a sailor, but now I\u2019m a boat.\u201d A great song as is, it elevates to new heights with an almost salsa-like instrumental passage in the second half that has every member of the band performing at the top of their game.<\/p>\n\n\n\n<p>\u201cBow Down\u201d leads us back to \u201cTaxes,\u201d the first single. It has a relatively unassuming buildup with a powerful climax and some intense instruments. It is an instant classic and honestly their most iconic song yet. The way the tension of the first half just explodes is so exhilarating and makes for one of the most exciting songs of 2025. \u201cLong Island City Here I Come\u201d follows right after and picks up right where \u201cTaxes\u201d left off, and makes the sound 100 times more powerful. Geese deliver non-stop punches to the face with a super-fast drumbeat and crazy vocals. It\u2019s an adrenaline rush and left me stunned the first time I heard it.&nbsp;<\/p>\n\n\n\n<p>No matter how you look at it, <em>Getting Killed<\/em> is something special. Geese, as a band, are really doing their own thing and it\u2019s a breath of fresh air to hear modern rock artists that are so unique and unafraid to be themselves. While 3D Country is an all-time classic for me, they are progressing their sound in a way that sounds super interesting and creative. In fact, it sonically reminds me more of an expanded, electrified version of Cameron Winter\u2019s <em>Heavy Metal<\/em>. Geese are already one of the best bands out there and I\u2019m sure that when their career is all said and done, their names will be right up at the top among the greats. They are rock gods in the making.<\/p>\n\n\n\n<p>Best Songs: Cobra, Bow Down, Au Pays Du Cocaine, Taxes, Long Island City Here I Come, Trinidad, Getting Killed, 100 Horses<\/p>\n\n\n\n<p>Weakest Songs: Half Real<\/p>\n\n\n\n<p>Final Score: <strong>9.4\/10<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1974, after witnessing a show from one of the greatest rock and roll musicians of all time, Jon Landau wrote, \u201cI saw rock and roll future, and its name is Bruce Springsteen.\u201d Now, I likely will never have as much influence on the music world as Jon Landau, and I have never actually seen [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":2137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[25,27,19],"_links":{"self":[{"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/posts\/2136"}],"collection":[{"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/comments?post=2136"}],"version-history":[{"count":2,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/posts\/2136\/revisions"}],"predecessor-version":[{"id":2238,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/posts\/2136\/revisions\/2238"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/media\/2137"}],"wp:attachment":[{"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/media?parent=2136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/categories?post=2136"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/arouseosu.com\/home\/index.php\/wp-json\/wp\/v2\/tags?post=2136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}