When I first heard Psychedelic Porn Crumpets’ Found God in a Tomato at the age of fifteen, I thought it was the most enlightened, intellectual, mysterious song to grace mankind, and decided I had found the sound of true adulthood. Last Saturday, I was fortunate enough to finally watch the band lay down a killer performance of this song, as well as fourteen other modern psych-rock classics.
But before this scorcher set, I had the opportunity to sit down for a chat with Porn Crumpets’ Jack McEwan (vocals, guitar, production) and Chris Young (guitar, keys) about their lucky seventh album: Carpe Diem, Moonman, doppelgangers, and the love of the game, as well as a bit of psychedelics, porn, and even crumpets! The entire conversation is transcribed below.
I met up with the band at The Newport Music Hall as they were setting up for the last show of their North American tour with supporting act, Grocery Bag. My conversation with the Crumpets came just three days after the release of Carpe Diem, Moonman—my favorite release from 2025 thus far.
Hailing from Perth, Western Australia, the Porn Crumpets have been on a steady rise since their formation in 2014, gaining international renown for their expansive psych rock records and
live shows, which additionally feature Danny Caddy on drum kit, Luke Parish on guitar, and Jamie Reynolds on bass.
During my conversation, Jack McEwan and Chris Young were warm and friendly, and the whole team were very down-to-earth. If you’ve never had a first-hand encounter with a Porn Crumpet, I highly recommend making the effort when they come to a city near you.
Their live setlist draws more from the energetic-to-heavy side of the Crumpets’ discography. This experience differs from the stylistic range of songs offered within the albums, which also feature an array of soft, melodic, dreamy songs. However, after experiencing the ecstatic kind of action featured on songs such as March on for Pax Romana, (I’m a Kadaver) Alakazam, Cornflake, and Bill’s Mandolin, it’s easy for the concert-goer to understand the logic behind the song selection.
The fan experience at the set was wonderful, and there was a definite sense of community present. My mom’s desired Mother’s Day present was a ticket to the show, and we attended together. We both tend to stay outside of wilder male dominated moshes, but there was no need to worry—three male strangers spontaneously formed a barrier around us. I had found chivalry at a Porn Crumpets show.
I anticipated a great show, but no string of words could have prepared me for the reality. The band was tight and visibly into the music, and the crowd responded: heads were banging, the pit was moshing, the place was rocking. Following the end of the show, an awestruck fan fist-bumped his fellow porn stars farewell as we left, individually celebrating what had been a shared spiritual experience. All those with eyes and ears may accurately claim that he was on something, but he was also onto something, and he was one of the realest among us.
Granted, the Crumpets are already my cup of tea, but this show is for more than just the high, the horny, and the hungry among us: as an estimated 100% of people who like to have fun would have a good time at a Psychedelic Porn Crumpets show.
SETLIST ORDER:
- SURF’S UP
- Nootmare (K-I-L-L-I-N-G) Meow!
- (I’m a Kadaver) Alakazam
- BILL’S MANDOLIN
- ACID DENT
- LAVA LAMP PISCO
- CUBENSIS LENSIS
- MUNDUNGUS
- WEIRD WORLD AWOKE
- FOUND GOD IN A TOMATO
- MARCH ON FOR PAX ROMANA
- ANOTHER REINCARNATION
- HOT! HEAT! WOW! HOT!
ENCORE:
- CORNFLAKE
- HYMN FOR A DROID
INTERVIEW
SINÉAD BRADY
JACK MCEWAN
CHRIS YOUNG
MULTIPLE SIMULTANEOUS VOICES
For those who yearn to see: This conversation takes place in The Newport green room. Jack McEwan and Chris Young sit on a couch, with Jack on the left and Chris on the right. I am on a chair angled toward the couch near Chris’ side and a table, where I put my recording device (trusty iPhone 12).
It has now been 3 days since the release of your 7th album, Carpe, Diem Moonman. What has been new since Fronzoli, both sonically, maybe process-wise, and personally if you’re comfortable sharing that affected the writing?
I’d say a lot of things. It was the longest time or gap that we had since Covid writing a record, and I think Night Gnomes was the record that we managed to make good time over. I was like, sort of in between ideas, and I think it was more a compilation thing, like Night Gnomes. But Fronzoli felt like kind of a good, structured record without the time frame. So I think, even though there was a time frame on Carpe Diem[, Moonman], we picked the best songs, everyone came out –
We have like 12, 13 to have a sift through.
Yeah, tunes.
Yeah, to make it a cohesive album.
—And pick them to do the drums for. But the actual ideas on them, I feel like they were way stronger than maybe on other releases. I read somewhere that someone was like, ‘sounds like High Visceral Pt. 3’ which was like ‘Yeahhh!’ That’s kind of a good analogy. But for us, I don’t know, it’s only like trying to do something new.
We went and watched Animals as Leaders on a boat in – where was that, Haddington?
Somewhere between Florida and Dominican Republic.
Oh, cool.
Yeah. For Coheed and Cambria, they did, like, a cruise tour. So we went on that, watched Animals as Leaders, it was like, every day pretty much—
Yeah, yeah.
We’d literally wait there, and got schooled in the ability of what I thought guitar work was, so I kind of went back. And then even just talking about doing it with Meshuggah. Some bands…
Yeah, I think this album’s leaning into, like heavier.
Yeah.
But it’s even got some nicer parts as well—
Yeah, oh yeah.
— like Concrete & Cola is one of the most beautiful things, which is really nice.
I think it’s very balanced. The hummingbird one [referring to As the Hummingbird Hovers] –that one is very lovely.
You like that tune?
Yeah, I really do.
That’s good! Yeah, they all felt so nice. And I think they work really well with the record.
Actually, I was talking to Joey though – the guy who mixed the album. I was asking him after a time spent away from hearing the album, to like hearing it within the last week or whatever before release, and he was saying Hummingbird – he likes the weird ones usually on the album —
Yeah
—that most people won’t like, and they turn out to be some of the favorites. So he said Hummingbird was a solid fav piece to mix. That one sounds like – it’s own standalone thing.
Yeah, yeah.
Mm hmm,
It’s crisp, it’s good, it’s good. And we worked with Ted Jensen, who was like – he’s done stuff with hundreds of acts, I can’t even name them. He did the first Eagles album
Oh cool!
Like mastering, and then he’s done Bring me to the Horizon, I think he’s done Rihanna and like –
*Laughter
Going from Eagles to Bring me to the Horizon–
That’s interesting though!
Yeah I know, he’s massive! So Joey who we mix with, he usually masters now, but we were sort of like ‘How do we kind of level this up?’ And he was like ‘If you wanted to, if you want you can turn your voice over to this guy” and he turned it around in a day.
Wow.
So that allows us to listen to the single first, [March on for] Pax Romana, with Ted and we’re like ‘Holy shit! Like that sounds huge,’ so we kind of kept with him for the record. And I think it’s nice. Feels like now we’re obviously getting rid of all those bad bedroom habits which, obviously, those are going to stick when we record it ourselves. But I’m trying to fine tune making it sound as good as possible before giving it to Joey. And we spent a long time tweaking that album, so I think it’s good. I’m actually really happy with it.
Yeah, you’re doing a great job, I will say. I loved it, my family and friends loved it, so–
You played it to your family?
I didn’t play it, I come from a music family. So my mom actually asked for a ticket to this show for Mother’s Day–
No way!
Oh we’ll put her on the door
100%!
Really?
Yeah yeah yeah.
Oh my gosh, she’s going to be thrilled for that!
Yeah.
I got her a ticket!
Did you?
I did.
No way!
Yeah.
Well bring whoever you want then, we’ll check whoever you want at the door.
Oh my God, I have a twin sister and I will try to get her.
Yeah? Bring ’em down.
That’s spectacular, but my family do really like this general type of music. My mom likes Pond a lot.
Yeah, I know.
The name originally, she was like ‘I don’t know,’ but then I played a bit and she was like, ‘this is actually amazing,’ so—
Yeah I think the name puts a lot of people off.
It’s a hard one to search for.
Yeah, but the music speaks for itself, and it sticks in your head.
Cool. Thank you very much.
Do you still get nervous before announcing a big release, or even before concerts?
I – yeah, there is a nervousness where it’s like, it’s no longer yours. I think I did it for another project as well, where it’s like, I’ve listened to the songs for three or four years, and when it’s out, it’s like, then you want to change things. I did it with Fronzoli, and you kind of convince yourself that it’s good, do you know what I mean?
You’ve got to show as many people as possible before you release something. I remember all of us listening to it. I think having confirmation, probably for the first time in a while with this record — I showed everyone that I knew, and you were showing people, and even just the band having input to be like ‘that’s a pretty strong record’ to kind of reaffirm it before it was released.
I felt more confident with the Carpe Diem, Moonman than I have with other records when I’m like ‘Ah, I don’t know what people are going to think or– because I suppose we’re doing it all independently. So like, we’re only one bad album from literally going bankrupt.
*Laughter — Don’t say that!
But it is, though! It feels like we need every record to get better than the last one so that we can actually keep going forward. There’s no label there to be like ‘ah that’s alright, have another go.’ Sort of like, that’s where the band’s at.
Well, to get the opinion of the public that it might be High Visceral, pt. 3,
Yeah!
It’s like a big pat on the back.
It was nice.
Pretty cool.
And I listened to it when it came out. I was like ‘it’s too quiet!’ or this or something, but I had nothing of fault with the actual songs or music. I listened to it, I suppose, as a person trying to take myself out of it, which is impossible to do. So you’re obviously going to know what’s going to know, what sound. But I was trying to learn what’s on the next one.
So I’m like alright, needs more amp for certain tones and the needs of some of this guitar’s tone, or shimmer and drumkit to maybe prevail on the heavier songs, and a lot of compression on the kit.
Yeah (laughing)
But we left it really clean and raw, which I think instead of doing, em–
Lots of triggers
Yeah, lots of stuff on the kit to make it sound more punchy, and sometimes they flatten themselves. It’s like that kit is just Danny raw kit and everything’s sort of on top, which is probably a no-no these days in rock music. Do you know what I mean? It’s so tampered with afterwards–
Yeah.
In post-production. So to hear– it kind of goes back to the 70’s records where it was just completely raw tone. But I’ve got to get away from the computer, need to work more analog.
Yeah, there’s a good balance of both, how I find it. And I think that’s the good thing about recording from home as well: you’re learning each record, and hopefully getting better.
Now actually I have a question that I was going to ask a little bit later down, but I’ll ask it now. I feel like you are kind of well-known for your production and–
Are we??
Hehe
That’s what I’ve seen commented – I really like your production. Maybe that’s just like, for me.
That’s mad, ok cool.
I think you have great production. Anyway, and a really nice tone also.
You get free tickets – for life. That makes you a—
Free tickets for life?!
*Laughter
Don’t tempt me with a good time! Okay, so I’m eager to see how this translates live.
Yeah, I think live is ten times better to be fair.
Yeah, it’s sounding — Some of the gigs of this tour, I reckon with [March on for] Pax Romana and [Another] Reincarnation, we go to play it, and we’ve finished playing and it’s like ‘that was enormous.’
Yeah.
It’s heaps of fun, it sounds justifiable toward the record, like giving justice. Because it’s so large in the headphones,
Yeah.
And then, you want to at least scratch the surface of where it sounds on the record, so I think we’ve got it.
We have this strange sort of— like, the band itself is filled with just amazing players. Like Danny, which is a drum teacher at a university or has been,
Oh cool!
Luke is doing his own thing with his production. Chris went and studied, and Jamie, he produces as well. And all of us have got this vibe that we bring to the live show, that I suppose in the recording, it’s not like we’ve worked on the song and recorded it the way we’re hearing the song. It’s like, the song is recorded—
Yeah, yeah, yeah, yeah.
— and then we kind of learn it to play it live—
Yeah!
– So it’s almost doing it backwards, but it seems to link.
It’s almost like it’s own beast,
Yeah!
— the live band.
Yeah.
Yeah, and everyone sort of adds like a cool – But I’d love to go back into a studio and re-record some of the songs
Do a whole album from the back-end, a live album?
Yeah! It would be cool to have it be band-interpreted and work on the tone or whatever.
Yeah, yeah.
So, it just adds another element, especially when you see people and they’re just like ‘ahh, that was way heavier than I expected’ all the time. The bad thing though is that we miss out on a lot of the prettier songs.
Because you’d need a lot of strings, and bits and pieces
Yeah, the crowd at the shows seem to really want to up the anti; if the last song was here, then they keep on– more moshing, more intensity. And then we’re like, it’s rude to bring it down now for them, play like November or something.
Yeah,
We want people to keep ascending until the end of the show.
*Starts to speak*
*Starts to interrupt* – oh sorry.
Nah you’re alright, carry on.
No I’m – I don’t want to like, take too much time.
Nah you’re good. All we’ve got to do is sound check, and the longer we’re doing this, the less time – so keep going.
Ok, I’ll keep that in mind.
I’ve also seen some really cool pictures and footage of you crowd surfing. There have been some recent headlines of artists literally flopping when attempting a crowd surfing, so I had to ask you, what is the Porn Crumpets’ methodology. How did you master it, were you born with it?
Do you? I don’t –
I think I’ve done it like three or four times–
Maybe I’ve just seen all that footage? Like—
Yeah?
Yeah, like there was a – we think that there’s a lot of doppelgangers that come to our shows.
*Laughter
Is it just people crowd surfing??
Yeah.
There’s lots Jack McEwans that come to the show.
Yeah it’s amazing. Like, everyone sort of looks the same.
I think maybe it sort of attracts people that – I don’t know,
And we saw a Chris Young there.
Yeah, we were all—
*Laughter
Everyone’s got their own.
That’s crazy!
I think it’s coming to a different country, playing, maybe you’re subconsciously looking for peoples’ faces in the crowd that you recognize, or –
Yeah. But you’re a twin, so you must get it a lot when it’s like ‘I think I’ve seen you before.’ When, you know twins, someone looks exactly like you and you go ‘Oh my God!’ but it happens week-in week-out strangely.
But what about the crowd surf? That was the question.
Yeah, for what’s the methodology to get into the crowd, or how—
Yeah. If it’s not something that you do very much, how do you assess the situation? What’s going through your mind?
I remember that I did one that was really delicate. I had to get someone to lift my legs and just didn’t want to hurt anyone.
Yeah yeah, you do it very gingerly.
We’re all butterflies pretending to be musicians–
Also, I think I worry about getting back to stage.
Yeah
Do I just end up at the front door? Like–
I think it’s because we’re all playing guitar as needed, there’s not really a resting that any of us have. So as soon as any of us go crowd surfing, the song drops dramatically. So it’s a tough time to do it. But, I don’t know. People seem to enjoy it. I’ll let them do the crowd surfing and we’ll stick to the music.
Ok, that’s interesting. I have seen for sure–
I definitely did it, I think it was New York, but I just gingerly went in, tough one.
You said on Weird World Awoke that all of your idols are dead. And you said Lemmie and Ozzie referring to Lemmie Kilmister of Motorhead and Ozzie Ozzbourne, who isn’t dead but has seen better days.
That was the next lyric!
*Laughter
Yeah, right? Other than them, who are some of your dead, living, and transcendent idols?
Oh my God. I mean, loads. Half the Beatles, George Harrison, like David Bowie,
Yeahhh.
John Bonham. But I suppose it was recently, we had that one year that it was just like everyone died. Remember?
Yeah (sadly)
It was like ‘Oh my God!’ Even Crosby died–
Yeah, when Crosby died, that was sad.
Yeah, but there was a bunch of musicians. It seems to be that we’re at this sort of end of that golden age, where it’s turning into something new now and you’ve still got the massive labels that’re trying to keep hold of the old world. And the new sort of like, I mean with social media and independent music and bands that are doing it themselves seem to be flourishing more. So we’re sort of at the end of the Hollywood world or music, and now moving into something different.
So I think that whole Weird World Awoke is trying to be talking about what I used to think music was. What I probably was doing it for at the start was – I don’t know, just to have fun, get free beer, but—
*Laughter
Now it’s moving to, I suppose you need like a– almost like a, just having a sensibility, some sort of drive to do it when you get older that is more about the art and music than free beer?
*Laughter
I don’t know. Rock n’ roll’s not as rock n’ roll as it used to be. It’s a longevity thing.
Free beer is always going to be there.
Yeah.
Yeah, true.
Even if you’re not playing in the band, you’re working as a roadie, your career’s over as a performing musician. Sure, yeah. You’ll find free beer, somewhere.
Yeah. But honestly, apart from Radiohead, there’s not many bands that I’ve gone like ‘their work is getting better.’ So I think that for me has always been something that I can’t stand like ‘I used to love them and now I can’t even listen to them,’ that’s horrible. But for me, I’d love to get up to 20 albums and it be like ‘Oh my God!’ But it’s actually moving, it’s getting better. And forget about everything else, that’s the product we’ve created, live shows getting better and bigger, and stuff like – I as well think this tour, and maybe even last couple of tours, we’ve tried to learn our instruments way better.
Yeah, challenge ourselves.
Yeah! Learning new techniques and writing songs that we probably wouldn’t — Or even people trying to go like ‘maybe I’ll go learn a new instrument,’ and then they’re like an amateur again on the piano, and start writing out piano songs— like why? You already play guitar really well!
We play, like when we do Another Reincarnation, we have to remember to take a breath at some point, like near the end there and we’ve finished the song, I’m just like – *frantic gasp for air*
*Laughter
You have to go into Hot! Heat! [Wow! Hot!], which is like the most perfect singing and I have to do a little – *frantic gasp for air*
Yeah!
We did our first show in Perth at the beginning of this tour, eight months off I think, and I’d been at home, we were still recording. Em, that was all I did! Play golf, record, go to the pub occasionally like — And then, we came back and we did our first show. Like we rehearsed for a week, but there is that a rehearsal can do to actually bring you to that gig fitness.
No, no. And I had so many mates come to the hometown show and they were like ‘you guys are so tight,’ and I was like ‘Oh God, Like ??’
That might have been the worst show!
That’s us, probably as rough as it gets.
I wanna go back to Perth, just do a free show,
Yeah, yeah, yeah!
Get everyone here please!
After-gig fitness,
Yeah.
That’s nice. Perth seems like such a magical place. I’ve heard it has lovely weather and everything so—
It really is.
It’s beautiful!
We’re so blessed.
It’s a hidden gem.
Okay, fun one. Kiss, marry, kill: psychedelics, porn, and crumpets?
*Laughter
That’s good, um I’d kill crumpets, so…
You’d—
Marry porn, kiss psychedelics
Can you kiss a crumpet? Sure you’re going to eat it at that point
Yeah.
*pause* Isn’t it the fuck, marry, kill?
*inaudible*
I think I’d marry psychedelics. I think that’d be a good way to enter your late years.
Fuck psychedelics.
No no, marry it.
You’d marry it?
You’ve got to fuck a crumpet.
No, not the crumpet.
*Sighs
You’ve got porn then, what is it then?
I wanted to keep an air of professionalism because, you know
Ok, sorry
Sorry.
No, you guys do not have to.
*Laughter
Wait, I forgot the question. Isn’t it fuck, marry, kill?
You —It’s fuck, marry, kill and kiss, marry, kill. It’s like the same—
Ahh,
Ahh damn it, I’ve mixed them up.
You were about to fuck a crumpet man, you’ve got that on document.
*Laughter
So what’s the final answer?
What’s our final answer?
What’s your final answer? Consensus
I’m going to kiss — kill the crumpet,
Okay,
It’s not — like, I wouldn’t feel bad about that.
Yeah, it’s got no feelings.
Fuck psychedelics and marry porn, or kiss it, we’ll do that.
I like that.
Marry porn…
Alright.
Well, there’s three of them.
Alright, we’re going to marry psychedelics
Marry psychedelics.
Marry psychedelics?
Into your later years you know, you’re just perched up there with—
Just sail away, that’s nice.
Tough one.
We’ve never had that before though.
Really?
It’s a good one.
That stumped us.
Yeah, I thought about doing a desert island one, like which one would you take, but I liked this one better.
Yeah—
Because everyone’s like ‘what’s your desert island album?’ but I’m sure you’ve been asked that.
It would be quite funny actually, because we would probably all choose psychedelics and be like ‘I’m so hungry!’
*Laughter
I was wondering. Because it would be kind of sensible to get food, but if you’re just bored, what’s the point?
Yeah
Ok, What do you want from your fans? What relationship do you want overall?
Sorry, that’s kind of a hard one after—
It’s really just, it’s awesome to just after the show, if we’re still packing down stuff and when people come out and they’re like ‘I’ve driven – you know – just as many hours in the car as we’ve driven in the van that day to get to the show,’ I’m like, that’s respect. That’s awesome to hear that, so—
It is. It’s just weird that we even have fans. Like, I don’t know. You just don’t even really comprehend that you’re in that thing, do you know what I mean? I think the band itself is one thing and playing shows is another. And it’s wild symbiotically having a crowd that’s experiencing it with you. It doesn’t — it’s never going to make sense because you’re in the center of the, like, tornado or whatever, so — and we’ve just —
We’ve had good things, like last night. It’s the first time we’ve ever been to Kentucky
Yeah,
And it was like, a pretty full group. It was awesome. It’s like how does that even—
Yeah. We played more people in Kentucky than we did Perth.
Really? Wow
Yeah.
And it’s strange, it’s mad. But then I think you kind of get like — I was terrified of it. I was just like, ‘What the fuck?’ ‘Cause you’re just doing something you’ve grown up with, and music. Me and Danny were talking the other day about how long we’ve been in the Porn Crumpets, it’s been nearly a third of our life now.
Wow.
That feels like you’re getting old, but it’s also nice, a third of your life and just dedicating it for— I suppose the music, which is nice. Like who was?— There was someone who said that. If you chase your fame, you will eventually forget about what you were doing before, but if your chasing the art,
It’s the whole dream.
The fans come.
Yeah.
But you don’t do it— if I was going to say I do it for the fans, it would be so — what’s the word, it just feels like you’re selling out already, because you’re like, ‘Oh I’m niche-ing myself into whatever’s there’. But if you’re doing it for you, then you’re actually not writing for anyone and that’s way more personal I think—
And you don’t have the ambition to expand. I don’t feel like if you’re doing it for the crowd and —
Yeah. But the crowd that’s there as well, is sick. It is amazing I think. We’re doing something that strikes a chord with all of us. I think this band — we are rock at heart.
Yeah.
With fuzz pedals and stuff—
Oh, it’s so much fun. I — someone the other day at the show came up and they watched us at Shakey Knees as well last year and then they came to the show the other day. And they were like, ‘we saw at Shakey Knees and you were the happiest, smiliest guitarist we have ever seen-’
Aww,
‘And we saw you tonight and it was confirmed: never seen someone happier on stage,’ like, that’s it. That’s…
And the tone!
*Laughter
The tone! They were like, ‘-and the tone!!’
*Laughter
Ah, yeah.
No it really is, it’s nice. I think they do go hand and hand. But last week as well, if we still had no fans we’d still be doing this, I’d probably just be a lot lonelier.
*Laughter
Yeah, I think it’s— after a point, it’s what you’re meant to do.
Yeah! It feels natural, which is nice.
I feel like I’ve been thinking about it—
We’re not trying to be anyone else.
Nah. We’ve probably all been in the same boat, but I’ve been thinking about performing, and writing, and recording music for most of my life I would say. So, to be still doing it when mates at home, you know, changed professions or whatever, and you’re like ‘well I still want to do it though.’
You know it feels like the beginning though, it’s weird. Even though I was saying we’ve been doing it for like a third of our life, it’s still our—
It has challenges.
I suppose a level is set? But we don’t know what the level is. So eventually when it’s — like you’re happy every tour you’re on: ‘Oh my God, we just did that!’ And then get yourself, and you’re doing Glastonbury. I was watching, like someone tagged me in a video, and I was like — I can’t even remember doing all that, but it’s insane! It’s like— we’re very lucky, we’re very fortunate.
Yeah.
But if we stop and smell the daisies, is that a thing?
Roses?
Roses? I don’t know.
Pushing on daisies means they’re dying, right?
What’s — I thought smelling roses was like, masking the shit.
No.
Oh, I didn’t know that.
Is it? Or like—
I thought it was like, enjoying your surroundings?
Is it??
Yeahh—
*Laughter
I have offended many people! Thank you! No, no. If you — what was I going to say?
Something about smelling roses.
If we stop and look at where we are, then you’re always check-pointing it to be like ‘I’m happy.’ I think the more we just aim for a higher thing or a higher bar, then it’s just like — you’re going to fall upwards if that makes sense.
Does that make sense?
Yeah.
Yeah, I think that’s really nice. I saw something where you said that if you’re in a place with a balcony, you had made it. And I think that’s nice that you’re grateful for where you are.
Yeah.
It’s grounded, and I appreciated that.
Oh that’s good! That is though — when you see a balcony, you’re like—
When we walked in here today, we were like ‘this is an amazing place to round out the tour.’
Ah, yeah.
Such a cool venue.
It’s great.
Yeah, I love The Newport.
That’s sick.
On that note do you have any departing words for the people of America? All of America, from me.
*Laughter, Well… for the whole nation?
Yeah.
Oh…
Aussie, Aussie, Aussie! Oi, Oi, Oi!
Yesss! I love that,
Yeah!
Aussie Aussie Assie, Oi Oi Oi! That’s lovely. Well, thank you so much!
Thank you, Sinéad. Thank you very much.
Yeah, thanks.
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